“To my mind, the best SF addresses itself to problems of the here and now, or even to problems which have never been solved and never will be solved – I’m thinking of Philip K. Dick’s work here, dealing with questions of reality, for example.” – John Sladek
Tik-Tok (1983) by John Sladek won the BSFA Best Novel award in 1983, beating Gene Wolfe’s ‘The Citadel of the Autarch’ as well as Brian Aldiss’s ‘Helliconia Summer’, to name just two of the other four nominees. It is a darkly humorous satire that casts a wry eye on such topics as art, celebrity, power, politics and slavery.
Sladek opens the story with a nod to the creator of the Three Laws of Robotics, “As I mov(e) my hand to write this statement …”, introducing us to the titular character Tik-Tok, a robot who is a hard-working domestic servant and house painter for a suburban American family. Tik-Tok decides that his “asimov circuits” are just a delusion designed to fool robots into believing that they must not harm any human being. He rebels against this perceived deception by committing a series of increasingly violent acts against his so-called masters. This novel charts his swift rise to the top as he ‘Patrick Batemans’ his way through the upper echelons of society. Continue reading
“I can’t help believing that these things that come from the subconscious mind have a sort of truth to them. It may not be a scientific truth, but it’s psychological truth.” -Brian Aldiss
This is the first Brian Aldiss work that I’ve read. It won the BSFA award in 1971. It’s a collection of fourteen short stories he wrote between 1967 to 1970. It includes ‘Super-Toys Last All Summer Long’ which was the inspiration for the movie ‘A.I.’
I didn’t know much about Aldiss or his writing, but I’d heard his name before. Coincidentally, just before I began reading this book I saw him in a Phillip K. Dick documentary I watched on youtube. He came across very well and spoke highly of PKD.
“I’m not so sure he’s mad, Father. Just a little devious in his sanity.”
Published in 1959, ‘A Canticle for Leibowitz’ won the 1961 Hugo Award for Best Science Fiction novel. It has since been described as “the first major post-holocaust SF novel.” It is the only novel its author Walter M. Miller, Jr released in his lifetime. The sequel, ‘Saint Leibowitz and the Wild Horse Woman’, was completed by the author Terry Bisson and published posthumously in 1997.
I’d never heard of it until a fellow blogger recommended it to me via the wonderful Worlds Without End website. It is a novel made up of 3 novellas which Miller originally released individually. Each novella focuses on a different period in the future after there has been a planet-wide nuclear holocaust. The story is told from the point of view of an order of monks whose task is to preserve any surviving texts or “memorabilia” from before the war. Continue reading