“Above the silent rooms on the third floor there is an attic. I know this because I have stood outside and studied the house, the way you study a person’s face to tell if they are telling the truth or a lie.” (Loc 696)
Northern Irish writer Paul Kearney has written a number of novels beginning with A Different Kingdom in 1993. He went on to write The Monarchies of God series (1995-2002), and The Macht trilogy (2008-2012), which are both rated highly on book review sites and blogs. The Wolf in the Attic was released in May, 2016.
England, 1929. Anna Francis, a 12-year-old refugee from Greece, lives with her father in a big, old house in Oxford. She is taught by a home tutor and confides in her doll Penelope. After witnessing a shocking event in the fields near her house, she becomes mixed up in a strange adventure involving her father, a couple of well-meaning Oxford professors, the Romany, and a mysterious group known only as “the Roadmen”. Continue reading
“You hear?! Do you hear!?! We’re all cowboys! Pow! Pow! Pow!” (Vol. 2: p.41)
Volume 1: Bang. Bang. Bang.
Baghdad 2003. Chris Henry, a military consultant from Florida, is training a new police force. When one of his trainees is found murdered, Henry teams up with experienced local policeman Nassir, and their investigation begins.
This is a brutal, powerful and emotional look at the early effects of the War on Terror in Iraq. Writer Tom King is ex CIA and has spent time in the country. He writes of what he knows. You can feel his experience coming across in the writing.
There is a gritty realism to a lot of the scenes and dialogue, and this is backed up by the artwork. It has a cinematic look to it, from the covers to the interiors. At times the artwork is shocking in its graphic detail. The reader is exposed to the blood and guts of violence, ranging from gunshot wounds to brutal beatings. This is not for the squeamish. Continue reading
“Indeed We created man from dried clay of black smooth mud. And We created the Jinn before that from the smokeless flame of fire”
Up until quite recently, I was only familiar with the word “genie” as a descriptor for supernatural beings that have a reputation for living in old lamps and granting wishes. The stories in this collection use either “djinn”, “jinn” or “genie” to represent these entities that are very different from the Robin Williams-voiced, cute, animated character seen in Disney’s Aladdin. So, what are these mysterious, misrepresented creatures? Here is what the website “islamreligion.com” says about them:
“The Jinn are beings created with free will, living on earth in a world parallel to mankind. The Arabic word Jinn is from the verb ‘Janna’ which means to hide or conceal. Thus, they are physically invisible from man as their description suggests.”
(Source: islamreligion.com. Link here.)
In The Djinn Falls in Love & Other Stories, editors Mahvesh Murad and Jared Shurin have compiled a wonderfully varied collection of 22 tales of “Djinn” from authors including Nnedi Okorafor, Sami Shah, Monica Byrne, Claire North, Kamila Shamsie, Kirsty Logan, K.J Parker, Saad Hossein, James Smythe and Neil Gaiman. It was nice to find a mixture of writers I knew as well as ones who were new to me; one of the great things about short story collections.
And what a collection this is. I haven’t enjoyed a short story collection as much as this in a long time. This is a wonderful book and a book full of wonders. Every tale is well told. It’s a cornucopia of enchanting tales that sheds light on the human condition as well as the supernatural Djinn. It was difficult to select a favorite so I’ll write a couple of lines about the stories that really stood out for me. Continue reading
“It was one of those nights, I quickly decided, when you slip into an alternate continuum, a city that looks exactly like the one you live, except for the peculiar difference that it contains not one person you love or know or have spoken to before.” – The Winter Market (p.161)
Released two years after Gibson’s Hugo Award winning debut novel Neuromancer (1984), Burning Chrome is a collection of ten short stories penned by the author between 1977 and 1985. Three of the stories are collaborations: The Belonging Kind (1981) with John Shirley, Red Star, Winter Orbit (1983) with Bruce Sterling, and Dogfight (1985) with Michael Swanwick. This collection also includes Gibson’s first published story Fragments of a Hologram Rose (1977). I will limit my review to the stories which impressed me the most.
“Humanity […] reflects the very strangeness of the land that grows, spores, seeds, and then dies around us. […] Whether reading crime, fantasy, horror, literary or science fiction, the realisation that anything is possible belongs within the land, and therefore within ourselves.” –Aliya Whiteley, ‘The Lay of The Land: Weird Possibility in the English Countryside’
The Beauty is Aliya Whiteley’s second novella. It was published in 2014 by Unsung Stories, a small UK publishing house that has since published her 2016 novella, The Arrival of Missives. It is a story I had been meaning to read for over a year, ever since fromcouchtomoon raved about it on her blog. Living in Japan meant it was difficult for me to get hold of a copy, so I was delighted to finally buy one during a recent trip to England over the New Year.
The story is set in a post-apocalyptic England where something unspecified and deadly has happened to the women. A small group of male survivors are hanging on to existence as they attempt to come to terms with a world without women, and all that this entails. Nathan, the narrator, is a young storyteller whose nightly tales seem to be keeping “the Group” going. Until a walk in the forest leads to a shocking discovery for Nathan … Continue reading