White Time (2000) by Margo Lanagan

“One night he woke and it was spread around the moonlit room like oil dribbled on water; its bare organs leaned in a clump near the door, swaying very gently.” –The Night Lily (p.130)

 

7bd5896a57-c7ec-43a4-bf47-3c534d6b08c07dimg400Margo Lanagan is an Australian writer of short stories and Young Adult fiction. Her 2004 book of short stories, Black Juice, won the World Fantasy Award for Best Collection in 2005. White Time is Lanagan’s first short story collection, and was published in Australia in 2000 and America in 2006. It contains ten short stories of speculative fiction.

It was Neil Gaiman’s glowing recommendation of Lanagan’s Black Juice which first brought the author to my attention. Black Juice’s opening story, “Singing my Sister Down”, is a mesmerizing piece of short fiction which left a deep impression on me when I first read it. So, I was looking forward to reading this, her first collection, and comparing the two books. (Which means a re-read of Black Juice is in order!) Continue reading

The Exegesis of Philip K. Dick (2011) Edited by Pamela Jackson & Jonathan Lethem

Q: What is The Exegesis of Philip K. Dick?

Here are two quotes taken from the hardback cover:

“A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn’t a legend and he wasn’t mad. He lived among us, and was a genius.” – Jonathan Lethem

‘Based on thousands of pages of typed and hand-written notes, journal entries, letters, and story sketches, […] Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information”.’

To briefly summarize what “2-3-74” was: Dick believed he had had a visionary experience in February and March 1974, and spent the next eight years trying to make sense of it.

Continue reading

Brother’s Ruin (2017) by Emma Newman

‘“Thems what go in there like this”—the woman held a hand up, fingers pointing at the sky— “come out like this”—she tipped her hand until the palm was horizontal.’ (Loc 316)

 

29964674-_uy838_ss838_In an alternative London in 1850, the Royal Society of the Esoteric Arts is recruiting raw, untrained magicians. And they are prepared to pay families handsomely for such talent. Benjamin Gunn and his sister Charlotte appear to have some magical capabilities and one of them is brought to the attention of the Society. This novella by Emma Newman tells the first part of their story, paving the way for more books in what is billed as “a new gaslamp fantasy series” by the author.

Brother’s Ruin is a short and entertaining novella which builds an interesting world around its characters. It’s Victorian England with magic, although Newman refrains from depicting magical battles in the vein of the Harry Potter books. The magic in this story is more restrained. Continue reading

Count Zero (1986) by William Gibson

“Eyes open, he pulled the thing from his socket and held it, his palm slick with sweat. It was like waking from a nightmare. Not a screamer, where impacted fears took on simple, terrible shapes, but the sort of dream, infinitely more disturbing, where everything is utterly wrong …” (p.30)

 

Count Zero is the second book in Gibson’s Sprawl trilogy. It is not a direct sequel to Neuromancer, but it does develop some of the themes and ideas Gibson used in his seminal first novel. It’s a more mature, more ambitious work than Neuromancer, telling the stories of three main characters: Turner, a mercenary-for-hire; Bobby, a young console-cowboy; and Marly, a former art gallery owner.

2006 Ace Books edition

Like its predecessor, Count Zero is not an easy read. Gibson has no time for info-dumps, being a proponent of the “show, don’t tell” school of storytelling. This means we are dropped into the middle of the author’s universe and need to hit the ground running as we try to keep up. It can be challenging at times, and may require a few re-reads of parts of the book, but it is so worth it. Continue reading

The Best Science Fiction and Fantasy of the Year: Volume Eleven (2017) by Jonathan Strahan (Editor)

As the unreality readings spike, the ghost by her side becomes sharper and sharper,
– “A Salvaging of Ghosts” by Aliette de Bodard, (Loc 2088)

 

Jonathan Strahan’s latest collection of the best science fiction and fantasy stories of the year features 28 short stories from 2016. His selected stories include works of hard sci-fi, space opera, dystopia, alternate history, future noir, cyberpunk, steampunk, fantasy, grimdark, and reimagined fairy tales. Such a wide range of short stories makes this an ideal collection for readers who are looking for variety in their speculative fiction. And the talent on display is quite staggering.

Volume Eleven includes two Nebula Award-nominated short stories: “Things with Beards” by Sam J. Miller, and “Seasons of Glass and Iron” by Amal El-Mohtar. It also contains the Nebula Award-nominated novelette: “You’ll Surely Drown Here if You Stay” by Alyssa Wong. The remaining 25 stories are by Catherynne M. Valente, Naomi Novik, Paolo Bacigalupi, Joe Abercrombie, Rich Larson, Aliette de Bodard, Daryl Gregory, Alex Irvine, Alice Sola Kim, Seth Dickinson, Carolyn Ives Gilman, Delia Sherman, Genevieve Valentine, Geoff Ryman, Nina Allan, Caitlin R. Kiernan, N.K. Jemisin, Theodora Goss, Lavie Tidhar, Yoon Ha Lee, Paul McAuley, E. Lily Yu, Ken Liu, Ian R. MacLeod, and Charles Yu.

52899

In his introduction, Strahan writes about some of 2016’s SF&F short story trends including the “reaction to climate change,” “the novella boom,” as well as more exposure for “writers from Asian and African nations”. It was nice to see the editor including stories by some of these writers whose names and works I am now familiar with. This has led to a more diverse and entertaining reading experience for me, and gives us some idea of just how much quality there is out there. Continue reading

Europe at Midnight (2015) by Dave Hutchinson

“I still wasn’t sure whether England was in Europe or not; I had the impression that the English would have quite liked to be in Europe so long as they were running it, but weren’t particularly bothered otherwise.” (Loc 4053)

 

51lf7hhe8gl-_sx321_bo1204203200_This is the second book in the Fractured Europe series. The first book, Europe in Autumn, is a terrific read. I was led to it by blogger friends; one of the great things about the book blogosphere. It reads like a cold war spy thriller set in a near-future Europe filled with weapons that could’ve dropped out of a William Gibson Sprawl story. It’s also a very smart book that is peppered with moments of dry humor as well as containing some wonderful descriptions of food.

Europe at Midnight is not a direct sequel to Autumn; it can be read as a standalone story. But if you have read the first Europe book, Midnight will expand your understanding of it. It will also provide background to some of the events and places mentioned in Autumn. This was a bold move by Hutchinson, as he could easily have written a second book that picked up where the first one left off, continuing the adventures of Rudi the chef. Instead, he has opted for originality by broadening his fragmented Europe universe and bringing in new characters. Continue reading

Dark Night: A True Batman Story (2010) by Paul Dini & Eduardo Risso

“I guess I should tell you right now, this is not the kind of story I’m known for: fantasy, action, comedy – though I guess it includes little bits of all of them. Mainly the story is about him. Batman. Or if not about him, he’s a key player in the action.” (p.2)

 

51h5jlch6ul-_sy344_bo1204203200_
This is not a traditional Batman story, but it is a story about Batman. In fact, Batman is one of the characters although he doesn’t fight crime in here. Dark Night: A True Batman Story is a very personal story about Paul Dini, an American writer and producer who is probably most famous for his work on Batman: The Animated Series. He also co-created the character Harley Quinn with artist Bruce Timm.

It is an autobiographical tale focusing on the period in Dini’s life when he was working for Warner Bros. Animation in the 1990s. Walking home one night after a dinner date, he was mugged and violently beaten. It was a harrowing experience for Dini, one which left him with both physical and mental scars. This story can be interpreted as a way of exorcising some of the demons the mugging left him with. Continue reading