‘To run or fight is the most important rule, but there is also the blood rule. Don’t bleed.’
I’ve been hearing great things about author Tade Thompson over the last couple of years. ‘Rosewater,’ his 2016 Nigeria-set sf novel, has been receiving high praise around the blogosphere. (I recently bought a copy and will be reading it in November.)
I chose The Murders of Molly Southbourne as one of my 2018 Halloween reads. It’s a very readable horror novella about coming of age, survival and murder. It has a nonlinear narrative, opening with a tense scene that occurs right near the end of the story. Learning how we reach that scene is both compelling and disturbing. Continue reading →
‘I’ll make a sound that’s so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns.’
Ray Bradbury’s The Fog Horn was first published in 1951 in The Saturday Evening Post. I came across it in his 1953 short story collection The Golden Apples of the Sun, which is a HUGE recommendation if you haven’t yet read it. This is the first of my Hallowe’en Reads 2018.
The Fog Horn is a tale of two men who work at a secluded lighthouse and what they witness there on a cold November night. It contains themes of loneliness, isolation, companionship, the power of nature, as well as how little we know about the vast depths of the ocean. Continue reading →
As the days cool and grow shorter and the darkness spreads its ebony fingers, are you ready for some chills and thrills?
Yes, it’s that time of year again when I make – and often fail to complete – a plan for my October reading. As the theme is Hallowe’en, my chosen genre is horror or any kind of weird fiction. I’m planning to focus on novellas and short stories this year as my reading-time has shrunk over the last few months. So, without further ado, here is my list of stories to read as I tentatively set foot into the October country. Continue reading →
I’m a sucker for a reading challenge, especially when it coincides with one of my own. The last two years in October, I’ve taken my own *All Hallow’s Read challenge (*from an idea by Neil Gaiman). I limit my October reading choices to tales of the supernatural.
Two years ago, I read Richard Matheson’s Hell House and Stephen King’s The Shining. Last year, I chose Broken Monsters by Lauren Beukes, Bag of Bones by King, again, and Nightmare Magazine#37: Queers Destroy Horror!
“Kids can’t cope with the darkness, supposedly, but how else are we supposed to wrestle with it? How else are we supposed to prepare for this moment when you have to open the door not knowing what’s behind it?” (p.250)
Lauren Beukes is a South African writer who was recommended to me when I was compiling a list of essential books to read by female authors. Three of her works were suggested by blogger friends: Moxyland (2008), Zoo City (2010), and Broken Monsters (2014). She also wrote the 2013 time-travel thriller The Shining Girls, which I have heard very good things about. After reading Broken Monsters, I’m keen to read more of her writing.
Broken Monsters is a serial-killer thriller with supernatural undertones set in modern Detroit. Detective Gabi Versado leads the search for a killer after the mutilated body of a young boy is found on the street. On the wall beside the body is a simple chalk drawing of a door. As the hunt for the killer continues, the author takes us on a tour of some of the darker places of this struggling city, introducing a group of characters who initially seem unrelated. Continue reading →
Is it that BUMP in the middle of the night that only you hear?
Is it the walk home through the woods with only the moonlight to guide you?
How about that movie you watched that gave you nightmares for a week? Or the dream that felt so real that you fought to wake up and escape it, a cry on your lips?
What was the last book or short story that REALLY scared you? As I’ve got older, I find a scary movie affects me more than a ghost story. Is that because a visual shock is more immediate than a comparable scare in a story? The filmed image is there, right in front of you, without you having to do any work creating it in your head. Is it just me? Continue reading →