‘When you watch someone, you know them. You know them better than themselves.’
Is memory the ultimate unreliable narrator? In L.G. Vey’s creepy novella Holt House, memory plays an integral part in the story. It is a childhood memory that has led Raymond to camp out in the Holtwood as he searches for the truth. Just what exactly did old Mr. Latch show Raymond all those years ago? It was something horrible in the wardrobe of the spare room, something that terrified Raymond as a young boy. Continue reading →
“People couldn’t become truly holy, he said, unless they also had the opportunity to be definitively wicked.”
What’s that? You haven’t read Good Omens?!?.. Ah, you’re joking, right?..
The 1991 Corgi edition with cover art by Graham Ward.
Tor.com is starting a Good Omens reread. Here’s the link to the post by Meghan Ball.
‘The reread will be split up into ten parts, with the final part being a wrap-up of the entire novel. In each installment, we’ll go over a summary of the story thus far, my commentary on what’s going on, and a special trip to what I like to call “Pun Corner.” It’s going to be an awesome time and I can not wait to discuss this bonkers book with all of you!’ – Meghan Ball
The 2007 Harper edition with cover art by Haydn Cornner.
The first I heard of this now famous book was in the letter column of the original Sandman comic book by Neil Gaiman. This is going back a long time. I can’t remember which issue it was. I could go and look but that would feel too much like hard work as my collection is currently housed in a box in a cupboard in an upstairs room in a house in Japan:) Well, at least it was the last time I checked. Continue reading →
‘To run or fight is the most important rule, but there is also the blood rule. Don’t bleed.’
I’ve been hearing great things about author Tade Thompson over the last couple of years. ‘Rosewater,’ his 2016 Nigeria-set sf novel, has been receiving high praise around the blogosphere. (I recently bought a copy and will be reading it in November.)
I chose The Murders of Molly Southbourne as one of my 2018 Halloween reads. It’s a very readable horror novella about coming of age, survival and murder. It has a nonlinear narrative, opening with a tense scene that occurs right near the end of the story. Learning how we reach that scene is both compelling and disturbing. Continue reading →
‘I’ll make a sound that’s so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns.’
Ray Bradbury’s The Fog Horn was first published in 1951 in The Saturday Evening Post. I came across it in his 1953 short story collection The Golden Apples of the Sun, which is a HUGE recommendation if you haven’t yet read it. This is the first of my Hallowe’en Reads 2018.
The Fog Horn is a tale of two men who work at a secluded lighthouse and what they witness there on a cold November night. It contains themes of loneliness, isolation, companionship, the power of nature, as well as how little we know about the vast depths of the ocean. Continue reading →
As the days cool and grow shorter and the darkness spreads its ebony fingers, are you ready for some chills and thrills?
Yes, it’s that time of year again when I make – and often fail to complete – a plan for my October reading. As the theme is Hallowe’en, my chosen genre is horror or any kind of weird fiction. I’m planning to focus on novellas and short stories this year as my reading-time has shrunk over the last few months. So, without further ado, here is my list of stories to read as I tentatively set foot into the October country. Continue reading →
Imagine the city you lived in became embroiled in a civil war. What would you do? Would you stay or leave? Would you continue with your daily life, your job, your schooling? How long do you think it would take you to stop noticing the sound of gunfire?
I have been lucky not to have undergone such an experience so far. I hope I never do.
In Exit West, author Mohsin Hamid uses the growing friendship of Nadia and Saeed to centre his story of migration and refugees. It is a story which charts the course of an intimate relationship in a city succumbing to civil war. It is also a story about portals, whether they are physical doors which may lead to another country or technological “doors” that offer instant communication and information via access to the internet. Continue reading →