‘Dr. Christophe smiles. “It seems quiet to us, but it’s noisier for the foetuses. We record the mothers’ and fathers’ voices and feed the sound into the foetus flasks during gestation. We follow a natural daily rhythm—no voices during the night, just the sound of a parental heartbeat.”’ (Loc. 1110)
Anne Charnock’s latest novel, Dreams Before the Start of Time, begins in London in 2034. Two friends discover they are pregnant, one by choice, one by accident. The narrative follows the lives of these women and their offspring through successive generations. As the characters age, developments in technology allow for new ways of conceiving, carrying, and giving birth to babies. This includes such procedures as remote gestation in an artificial womb, natural gestation from carefully selected donor sperm, and genetic engineering as a way of preventing birth defects.
Charnock asks questions about what such advanced and varied fertility techniques could mean to our conceptions of child-rearing, family, and identity. She focuses on the families rather than the technology, making this a character-driven, human story. The sci-fi is kept in the background; Charnock using it as a springboard to explore the effects such technology might have on people and society. Continue reading