Aemon’s blind white eyes came open. “Egg?” he said, as the rain streamed down his cheeks. “Egg, I dreamed that I was old.”
2005’s A Feast for Crows appears to divide opinion more than any of the previous three books in Martin’s A Song of Ice and Fire series. One reason for this was the author’s decision to chop this fourth installment into two parts due to its excessive length. (The second part would eventually be released in 2011 as A Dance with Dragons). The author then upset fans even more by leaving the plot threads of his three most popular characters hanging until the following book. So readers had to wait six more years to discover what became of Tyrion Lannister, Jon Snow, and Danaerys Targaryan.
US Hardcover (First edition)
A Feast for Crows continues the narrative from the point of view of twelve characters, both major and minor. Jaime Lannister, Brienne of Tarth, Sansa and Arya Stark get the majority of the chapters. It is notable that Martin takes us inside Cersei Lannister’s head for the first time in this book and we get to hear her first-person narration of events. Additionally, we are introduced to Aeron Greyjoy–a priest of the Drowned God–and discover more about the ways of the Iron Islands and their inhabitants. Continue reading
“There is no case,” he told her. “There’s a series of random and implausible crises that make no sense other than if you believe the most dramatic possible shit. And there’s a dead girl at the end of it all.”
Inspector Tyador Borlu lives and works in the city of Beszel. As the story opens, he is investigating the murder of a woman found dead in a quiet Beszel street. She is identified as Mahalia Geary, a foreign student attending Beszel’s university. What starts out as a standard murder investigation quickly becomes more complex as Inspector Borlu’s inquiries lead him to the “neighboring” city of Ul Qoma. He joins forces with local Detective Quissim Dhatt and they attempt to unravel the truth about the murdered woman’s connections with both cities.
2009 Del Ray edition. Cover by FWIS
‘I calm down. I do not know where I am, but I am not afraid of being lost. I am a finder, and the most basic skill of a finder is getting home.’
Tade Thompson’s Rosewater is the first book in his Wormwood Trilogy. It is set in near-future Nigeria where an alien biodome has appeared. The aliens remain a mystery but once a year the biodome opens. When this happens, some kind of energy is released which is rumoured to contain healing properties. People come from far and wide to visit the biodome hoping they will experience some of its benefits. Rosewater is the name of the town which has slowly formed around the biodome.
Our guide to Rosewater is Kaaro. At the beginning of the story he is working for a bank. It is quickly revealed that Kaaro is gifted with extra-sensory abilities. He is labeled “a sensitive” and can read people to such an extent that he is able to find things they are hiding. Intrigued yet? To say more would be to reveal too much of the story so I will end my brief summary here. Continue reading
‘Forever didn’t seem to last as long these days as once it did.’
My recent re-read of Pratchett & Gaiman’s sublime Good Omens (1990) led me to seek out the Discworld books that were published around the same time, (give or take a couple of years). Witches Abroad is the twelfth Discworld novel and the third featuring the Witches, preceded by Equal Rites (1987) and Wyrd Sisters (1988). It stars Pratchett’s holy trinity of Granny Weatherwax, Nanny Ogg and Magrat Garlik.
Witches Abroad opens with a death. Desiderata Hollow, witch and fairy godmother, bequeaths her magic wand to Magrat Garlik before she passes on to the undiscovered country. This leads to Magrat becoming fairy godmother to Emberella, a young woman who lives in the land of Genua, far across the Disc. Now responsible for young Emberella, Magrat must journey to Genua and help her get out of an impending, unwanted wedding. Not trusting Magrat with the responsibility of her new role or her new wand, Granny Weatherwax and Nanny Ogg insist on accompanying her abroad. Continue reading
The Best SF&F Volume Twelve contains 29 short stories of genre fiction selected by Jonathan Strahan. I was so impressed with last year’s Volume Eleven that I didn’t hesitate to buy this new Volume Twelve when it was released in March 2018. It is another high-quality collection in which every story deserves to be read. Authors include Charlie Jane Anders, Samuel R. Delany, Greg Egan, Dave Hutchinson, Caitlin R Kiernan, Yoon Ha Lee, Max Gladstone, Alastair Reynolds, and many more.
In his introduction, Strahan offers some of his highlights of the year including the resurgence of “the novella,” which suggests that readers are keen to read more short fiction. Strahan recommends Tor.com for the regular “free” short stories it provides. He also comments on the continuing quality of such monthly publications as Lightspeed, Asimov’s, Interzone, Uncanny, Beneath Ceaseless Skies and more. Continue reading
‘This war is the Change War, a war of time travelers–in fact, our private name for being in this war is being on the Big Time.’
Artwork by Hoot von Zitzewitz
Fritz Leiber’s Hugo Best Novel winner The Big Time is sixty years old. Have you heard of it? I’ve had this on my TBR list for a couple of years and was inspired to read it by the Little Red Reviewer. She holds a Vintage Science Fiction Month reading event every January, and this was my choice for it.
One of the questions she has asked Vintage SF Month participants is: “Why did you choose to read a vintage title?” It’s an important question. I was looking through my reviews from last year and was shocked to find that I had only read two SF titles written before 1980: The Dispossessed and The Ginger Star. Apart from simply wanting to read more vintage titles this year, I want to see how well these stories stand up today. Vintage SF can offer readers a window into the past but it’s fair to say that they often age poorly. When we read them with modern eyes, we need to be aware of the time period they were conceived in.
“Anyway, if you stop tellin’ people it’s all sorted out after they’re dead, they might try sorting it all out while they’re alive. ”
Cover Artwork by Graham Ward
“She was beautiful, but she was beautiful in the way a forest fire was beautiful: something to be admired from a distance, not up close.”
Wow! Is this book already almost thirty years old? I remember buying the first paperback edition back in the days of Gaiman’s Sandman comic book series. In fact, the author used the Sandman’s letters page to announce Good Omens’ release. I remember that, too. So, this is what getting old feels like.
Good Omens is a black-comedy about Armageddon set at the end of the 1980s. Its main characters are an angel, a demon, a witch, a witch-finder, the antichrist and his friends. The Four Horsemen of the Apocalypse also feature. It was written by Neil Gaiman, (Sandman, American Gods, Coraline, The Graveyard Book) and Terry Pratchett, (The Discworld series). Continue reading