“Eyes open, he pulled the thing from his socket and held it, his palm slick with sweat. It was like waking from a nightmare. Not a screamer, where impacted fears took on simple, terrible shapes, but the sort of dream, infinitely more disturbing, where everything is utterly wrong …” (p.30)
Count Zero is the second book in Gibson’s Sprawl trilogy. It is not a direct sequel to Neuromancer, but it does develop some of the themes and ideas Gibson used in his seminal first novel. It’s a more mature, more ambitious work than Neuromancer, telling the stories of three main characters: Turner, a mercenary-for-hire; Bobby, a young console-cowboy; and Marly, a former art gallery owner.
2006 Ace Books edition
Like its predecessor, Count Zero is not an easy read. Gibson has no time for info-dumps, being a proponent of the “show, don’t tell” school of storytelling. This means we are dropped into the middle of the author’s universe and need to hit the ground running as we try to keep up. It can be challenging at times, and may require a few re-reads of parts of the book, but it is so worth it. Continue reading
“In the nonspace of the matrix, the interior of a given data construct possessed unlimited subjective dimension; a child’s toy calculator, accessed through Case’s Sendai, would have presented limitless gulfs of nothingness hung with a few basic commands.” (p.63)
Harper Voyager 2015 edition
As part of my 2017 William Gibson Read-Along, I reread Neuromancer in February. This was my third time to read it. (I posted a review on this blog in November 2015 after reading it for the second time.) So, this is more of an update than a new review.
Am I crazy to read the same book 3 times? Maybe, maybe not. What I will say is that after my third reading I’ve upped my rating of the novel from 4 to 5 stars. In my opinion, Neuromancer is a staggering piece of fiction that deserves all the praise and plaudits it has picked up since its publication all those years ago. But instead of waffling on with my own thoughts on this seminal work, I will post some quotes about the book by critics and authors made over the last 30+ years. Continue reading
“It was one of those nights, I quickly decided, when you slip into an alternate continuum, a city that looks exactly like the one you live, except for the peculiar difference that it contains not one person you love or know or have spoken to before.” – The Winter Market (p.161)
Released two years after Gibson’s Hugo Award winning debut novel Neuromancer (1984), Burning Chrome is a collection of ten short stories penned by the author between 1977 and 1985. Three of the stories are collaborations: The Belonging Kind (1981) with John Shirley, Red Star, Winter Orbit (1983) with Bruce Sterling, and Dogfight (1985) with Michael Swanwick. This collection also includes Gibson’s first published story Fragments of a Hologram Rose (1977). I will limit my review to the stories which impressed me the most.