“But under that. The cape. The mask. Under there. You’re still the poor little rich boy in the house on the hill. All that pain from being alone…”
Can a man who saw his parents gunned down in front of him when he was a child ever find true happiness?
After years of fighting some of the craziest, most dangerous criminals in the DC Universe, Batman has finally popped the BIG question to Catwoman. A superhero-supervillain wedding appears to be taking shape in the distance. But before this comic-book union can go ahead, there are places to go and people to see. The first one being Batman’s deadly blast from the past, Talia al Ghul, the mother of his teenage son. Cue the exotic opening panel depicting Batman on horseback under a hot desert sun. Continue reading
“Engage neurotic pain amplifier! Bypass settings one through four and begin at “Disorienting Agony”!” (p.77)
After first appearing in 1963, the Doom Patrol has undergone various interpretations by different writers and artists over the years. The most famous one is probably Grant Morrison’s run on the comic when he took over writing duties in 1989. He was joined by artist Richard Case. Morrison wrote 45 issues of Doom Patrol before leaving for pastures new.
I was a fan at the time and remember thinking this was unlike any comic I had read before. Morrison’s narrative dealt with surrealism, psychotherapy, chaos magick, sexual identity, disability, multiple personalities, and more. One of his storylines was about a painting that ate Paris, instigated by the Brotherhood of Dada – a group of super villains named after the avant-garde art movement. Who says comics are just for kids?… I’m listening… Continue reading