“Something was there.”
Bishop said nothing. He lifted the magazine again, but his eyes were still.
“Something was down there,” Garner said.
– “The Crevasse”by Dale Bailey & Nathan Ballingrud
Lovecraft Unbound is a collection of twenty short stories inspired by H.P. Lovecraft’s weird fiction. In her introduction, Ellen Datlow writes that she was looking for stories that were “subtly Lovecraftian” rather than the more obvious “pastiches” that make up a lot of Lovecraft-themed anthologies:
‘I asked for stories inspired—thematically and possibly—by plot points in Lovecraft’s mythos. What I wanted was variety: in tone, setting, point of view, time.’
This volume includes stories by Laird Barron, Caitlin R. Kiernan, Lavie Tidhar, Michael Chabon, Joyce Carrol Oates, Michael Cisco, Michael Shea and more. Out of the twenty, the following six stories stood out for me: Continue reading →
I’m a sucker for a reading challenge, especially when it coincides with one of my own. The last two years in October, I’ve taken my own *All Hallow’s Read challenge (*from an idea by Neil Gaiman). I limit my October reading choices to tales of the supernatural.
Two years ago, I read Richard Matheson’s Hell House and Stephen King’s The Shining. Last year, I chose Broken Monsters by Lauren Beukes, Bag of Bones by King, again, and Nightmare Magazine#37: Queers Destroy Horror!
“My face is older than I remember, the lines longer, more entrenched in coarse brown skin. Puckered flesh details a history in bullet wounds, knife scars, burns. Ugly but human.” (p.75)
Hammers on Bone is a 2016 novella by Cassandra Khaw, the creator of Rupert Wong, Cannibal Chef. It’s her first story to feature John Persons, a private investigator based in Croydon, South London. You could describe Persons as a Transformer-detective because there’s more to him than meets the eye. To say any more would be to spoil a fascinating plot device that Khaw uses. His latest client is a ten-year-old boy who has an unusual job for the PI. Continue reading →
“This fairy tale begins in 1968 during a garbage strike.” (Loc 102)
The Changeling is an adult fairy tale by American author Victor LaValle. Last year, I read his 2016 novella The Ballard of Black Tom, a reimagining of H.P. Lovecraft’s short story The Horror at Red Hook (1927). It was an impressive, very readable story which depicted the events of the original, infamously-racist Lovecraft tale from a different character’s perspective. LaValle’s 2009 novel Big Machine won the Shirley Jackson Award. He has also written a collection of short stories Slapboxing with Jesus (1999), and the novels The Ecstatic (2002) and The Devil in Silver (2012).
Recently married couple, Apollo Kagwa and Emma Valentine, lives in New York. Emma is a librarian and Apollo a used bookseller. After the birth of their son, Brian, life seems good as they both enjoy adapting to parenthood. LaValle takes his time setting the scene of this young couple’s life, revealing their characters in the tiny details: Emma’s difficulties with breastfeeding, and Apollo’s penchant for uploading blurry baby-pics onto Facebook. But after some unexplainable images start appearing on their smartphones, a staggering event takes place in their apartment turning Apollo and Emma’s’ world on its head. Continue reading →
“Humanity […] reflects the very strangeness of the land that grows, spores, seeds, and then dies around us. […] Whether reading crime, fantasy, horror, literary or science fiction, the realisation that anything is possible belongs within the land, and therefore within ourselves.” –Aliya Whiteley, ‘The Lay of The Land: Weird Possibility in the English Countryside’
The Beauty is Aliya Whiteley’s second novella. It was published in 2014 by Unsung Stories, a small UK publishing house that has since published her 2016 novella, The Arrival of Missives. It is a story I had been meaning to read for over a year, ever since fromcouchtomoon raved about it on her blog. Living in Japan meant it was difficult for me to get hold of a copy, so I was delighted to finally buy one during a recent trip to England over the New Year.
The story is set in a post-apocalyptic England where something unspecified and deadly has happened to the women. A small group of male survivors are hanging on to existence as they attempt to come to terms with a world without women, and all that this entails. Nathan, the narrator, is a young storyteller whose nightly tales seem to be keeping “the Group” going. Until a walk in the forest leads to a shocking discovery for Nathan … Continue reading →
“Kids can’t cope with the darkness, supposedly, but how else are we supposed to wrestle with it? How else are we supposed to prepare for this moment when you have to open the door not knowing what’s behind it?” (p.250)
Lauren Beukes is a South African writer who was recommended to me when I was compiling a list of essential books to read by female authors. Three of her works were suggested by blogger friends: Moxyland (2008), Zoo City (2010), and Broken Monsters (2014). She also wrote the 2013 time-travel thriller The Shining Girls, which I have heard very good things about. After reading Broken Monsters, I’m keen to read more of her writing.
Broken Monsters is a serial-killer thriller with supernatural undertones set in modern Detroit. Detective Gabi Versado leads the search for a killer after the mutilated body of a young boy is found on the street. On the wall beside the body is a simple chalk drawing of a door. As the hunt for the killer continues, the author takes us on a tour of some of the darker places of this struggling city, introducing a group of characters who initially seem unrelated. Continue reading →
Is it that BUMP in the middle of the night that only you hear?
Is it the walk home through the woods with only the moonlight to guide you?
How about that movie you watched that gave you nightmares for a week? Or the dream that felt so real that you fought to wake up and escape it, a cry on your lips?
What was the last book or short story that REALLY scared you? As I’ve got older, I find a scary movie affects me more than a ghost story. Is that because a visual shock is more immediate than a comparable scare in a story? The filmed image is there, right in front of you, without you having to do any work creating it in your head. Is it just me? Continue reading →