“In the nonspace of the matrix, the interior of a given data construct possessed unlimited subjective dimension; a child’s toy calculator, accessed through Case’s Sendai, would have presented limitless gulfs of nothingness hung with a few basic commands.” (p.63)
Harper Voyager 2015 edition
As part of my 2017 William Gibson Read-Along, I reread Neuromancer in February. This was my third time to read it. (I posted a review on this blog in November 2015 after reading it for the second time.) So, this is more of an update than a new review.
Am I crazy to read the same book 3 times? Maybe, maybe not. What I will say is that after my third reading I’ve upped my rating of the novel from 4 to 5 stars. In my opinion, Neuromancer is a staggering piece of fiction that deserves all the praise and plaudits it has picked up since its publication all those years ago. But instead of waffling on with my own thoughts on this seminal work, I will post some quotes about the book by critics and authors made over the last 30+ years. Continue reading
“It was one of those nights, I quickly decided, when you slip into an alternate continuum, a city that looks exactly like the one you live, except for the peculiar difference that it contains not one person you love or know or have spoken to before.” – The Winter Market (p.161)
Released two years after Gibson’s Hugo Award winning debut novel Neuromancer (1984), Burning Chrome is a collection of ten short stories penned by the author between 1977 and 1985. Three of the stories are collaborations: The Belonging Kind (1981) with John Shirley, Red Star, Winter Orbit (1983) with Bruce Sterling, and Dogfight (1985) with Michael Swanwick. This collection also includes Gibson’s first published story Fragments of a Hologram Rose (1977). I will limit my review to the stories which impressed me the most.
“I think I’d probably tell you that it’s easier to desire and pursue the attention of tens of millions of total strangers than it is to accept the love and loyalty of the people closest to us.” William Gibson, Idoru
2016 has been the year of Dick for me, Philip Kindred Dick. Taking part in Bookpunks’ mind-warping “Exegesis with a Side of Fiction: The PKD Read-Along” has brought me closer to Dick. I regularly found myself questioning what was real after being submerged in the latest book. Despite struggling through the dense and diffuse Exegesis, I looked forward to my monthly dose of PKD paperback, wondering what kind of bizarre and unhinged world I would discover inside. It was also a great opportunity to focus on the work of one writer, to see the different worlds they had imagined and built, to compare the later stories with the earlier ones.
So, I propose spending 2017 in William Gibson territory. One book per month, commencing with his collection of short stories Burning Chrome. Continue reading
‘Case’s virus had bored a window through the library’s command ice. He punched himself through and found an infinite blue space ranged with color-coded spheres strung on a tight grid of pale blue neon.’ (p.63)
“On the most basic level, computers in my books are simply a metaphor for human memory: I’m interested in the hows and whys of memory, the ways it defines who and what we are, in how easily memory is subject to revision.” William Gibson quoted from an interview with Larry McCaffery in 1991.
I first read Neuromancer when I was 18. I don’t recall how much of the book I “got”, but I do remember being impressed by the action scenes involving Molly, the future-noir setting of Chiba City, and the stripped-down strangeness of Gibson’s cyberspace. I was also delighted to find a ninja in the story. Continue reading
It’s the middle of October and I’m waiting for my next “All Hallow’s Read” book to arrive, which gave me time to finish William Gibson’s latest novel, The Peripheral. I picked up a copy when I was over in Manchester in August. It was part of a “buy-one-get-the-other-half-price” deal at Waterstones, and my other choice was The Bone Clocks by David Mitchell.
I’ve read most of Gibson’s novels before, starting with Neuromancer (1984) when I was a teenager. (Can’t believe it was published over 30(!) years ago. That makes me feel old.) I skipped the other two novels that make up the Sprawl trilogy, and got back into him with 1993’s Virtual Light. Since then I’ve read all of his works except The Difference Engine, the latest ones being the Blue Ant trilogy. Continue reading